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Know Thy AudienceNadia de Vries Know Thy Audience, Nadia de Vries third poetry collection, disavows the platitude from which it takes its name and makes the reader complicit in both her aggression and her submission, sparked by a history of domestic abuse that escapes all euphemism and metaphor but not poetry altogether. Speakingor rather, singingas a battered woman from a working class neighborhood, De Vries aphoristic writing belies a vengeful reversal of roles in

and certainly more than usually thought-provoking’ The Guardian

the poems fixate on alternating relations between text and image that blur into relations between mind and body

Kim depicts the memory of war trauma and the collective grief of parting through what she calls an “I-do-bird-sequence

as Elizabeth Gray writes in the preface

small white monkeys incorporates material from the library’s archives and the work of female creators past and present

This] poetry is thrillingly of the present moment

Once again you are the one who promotes artifice

loop en slaap

gras tussen schroot

De Gids vroeg Rosa om meer werk en publiceerde verschillende gedichten

Mijn wonderwall

Less a sudden lightning-like insight than a protracted seepage that gathers over time into a deluge of language