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Bruno Pélassy'In 1987, while finishing his training as a tailor, Bruno Plassy was living in a studio apartment in Paris, amidst dark clutter and a cascade of needles, lace and fur that his mother used to bring him from Nice. On his cathode ray television, his VHS tapes played on repeat: The Exorcist (1973), Female Trouble (1974), and The Law of the Strongest (1975). Sometimes he would turn the volume down to play his vinyl records along with the images: 'Madame

Adler’s gappy grin

from layman to professional

Contrary to common belief

Akinbode Akinbiyi

Open Manifesto exhibited astonishing breadth

Ayu no Kaze returns every year

In classical music

and I fell in love

a renown that makes him no less avant-garde

Lyn does her Spanish homework and makes note to read Anna Kavan and Cortázar

The texts address a variety of topics: racialisation

1967–1974) is an enigmatic Berlin landmark that had a preservation order put on it during the lifetime of its architect Ludwig Leo