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Early AfternoonPart of an ongoing series of paintings referencing the visual language of vintage queer publications. Each work depicts male figures in a state of undress within ambiguous interior settings. Their faces are usually obscured, hinting at the tension between anonymity, confidence and desire in relation to the body, thus producing images which invite multiple interpretations.

A pterodactyl looms overhead

I spent years in its clubs — especially Astronomy — where we pointed telescopes skyward but ended up staring at Lenin's bird-stained head

almost as a distraction from other larger works that were developing at the same time

Forgotten City imagines a future where we have been replaced by hybrid animals that emptily and without purpose mimics and replicates human behaviour

a view of an ancient planetary continent distant in time and space

debris of the home

The expression came from my sensibility and observation of the form of the cloud

our bodies (specifically female bodies) are reduced and diminished to walking data extractors

with a wide stance and hands crossed

as presence slips into absence

The image offers no resolution—only the lingering breath of something unravelling at the edge of becoming

and belief